nEYEYEght: Curated by Valentinas Klimašauskas
Andreas Angelidakis | Mircea Anghel | Vasco Araújo | José Pedro Cortes | Dovilė Dagienė | Joana Escoval | Diogo Evangelista | Sara Graça | Petrit Halilaj | Katja Novitskova | Tanja Ostojić | Vika Prokopaviciute | Tris Vonna-Michell
Curated by Valentinas Klimašauskas
Pointing to the accidental, generated or irregular openings in or outside the rather dark texture of current ecotechnological and sociopolitical reality, the exhibition’s formal and thematic focus is cuts, slits, (travelling through) portals, openings, mirrors, new (and old) opportunities, or other (psycho)active cavities.
The axial and symmetrical gallery space with a couple of arches and passages suggested constructing this exhibition as an experience of transitions through various openings that would strengthen their possible transformational qualities. Accordingly, the exhibition title nEYEYEght is a neologism that was made by using two visual one-word poems by Aram Saroyan – Night and EYEYE.
This way of thinking refers to the ancient function of artworks and exhibitions as transformational spaces which potentially would produce new words and worlds. Various bodily and material objects, spaces or mechanisms could be interpreted as polysemous tropes that stand for articulation, birth, and also for shaping, transforming, struggling, and experiencing: aesthetically, spatially, sexually, materially, politically and otherwise.
The exhibition’s aim is to enquire how this specific landscape of multiple openings and closures, stimulating constellations, positive hallucinations, gateless gates, etc., may activate today’s audience in the background of multiple ecological and sociopolitical transformations.
Valentinas Klimašauskas
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Mircea AnghelIn control, 2023Iron, copper, brass, explosion, black powder235 x 107 cm
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Diogo EvangelistaZERO #5, 2023Gold Acrylic Mirror, UV-cured paint150 x 106 cm
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Diogo EvangelistaZERO #4, 2023Gold Acrylic Mirror, UV-cured paint150 x 106 cm
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Joana Escoval, Peripheral body energy, 2023
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Joana Escoval, We do not work alone. To do the work and let it go, 2022
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Tanja OstojićUntitled/After Courbet (L ́origine du monde, 46 x 55 cm), 2004Colour photo mounted on aluminium
Photo: David Rych46 x 55 cmEdition of 5 plus 2 artist's proofs -
Katja NovitskovaEarthware (dreaming of a purple simian), 2022UV printer ink, epoxy clay, nail polish87 x 97,5 x 3,5 cm
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Katja NovitskovaEarthware (lab mouse seeing in infrared for the first time, 2019UV printer ink, epoxy clay, nail polish98 x 151 x 3 cm
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Katja NovitskovaEarthware (nyt), 2022UV printer ink, epoxy clay, nail polish100 x 100 x 2.5 cm
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Katja NovitskovaGardens of the Galaxy, 2023Video with sound10'
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Dovilé Dagienè DodaPassing by. Vilnius, 2019Silver gelatin paper negative10,16 x 12,7 cm
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Dovilė Dagienė DoDATwo. Parnu, 2019Silver gelatin paper negative12,7 x 10,16 cmEdition of 1
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Vika ProkopaciuteFN Chess Pockets, 2021-23Oil on linen37 x 30 cm
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Vika ProkopaciuteOpen, Stiff, 2023Oil on linen80 x 50 x 4 cm
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José Pedro CortesBar (I-II), Toyama, 2015Inkjet print of Fine Art paper60 x 90 cm (each)Edition of 3 plus 2 artist's proofs
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Sara GraçaJeni, 2022Drawing on paper, found frameAprox. 22 x 16 cm
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Andreas AngelidakisFantasy Ruins and the Fabric of Reality, 2022Digital print on canvas, polyurethane foam100 x 75 x 75 cm
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Andreas AngelidakisInfinity teleport, 2022Video with sound5’ 40’’Edition of 3
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Andreas AngelidakisOn being high, 2022Digital print on canvas, polyurethane foam100x75x75cm
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Tris Vonna-MichellCollections & Collaborations (study I), 2023Inkjet print62 x 52 cmEdition of 1 plus 1 artist's proof
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Tris Vonna-MichellCollections & Collaborations (study I), 2023Inkjet print62 x 52 cmEdition of 1 plus 1 artist's proof
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Vasco AraújoPunctum #2, 2021Photo camera chassis (wood and metal), digital photograph glued on PVC and plasticized35 x 18 x 4 cm
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Petrit HalilajFriends of Chickens, 2022Brass plate, stencil in the form of chicken legs, spray paint62 x 41 cmEdition of 15 plus 5 artist's proofs